|
Pollard, James
Springing Them up to meet the Train and Just in time for the Coach to Hull
|
ID: 27315
|
|
|
|
Pollard, James
English, 1792-1867
Painter and etcher, son of Robert Pollard. His early career was spent in the shadow of his father, for whom he worked as an etcher of miscellaneous sporting subjects before establishing himself c. 1820 as a sporting painter in his own right. A typical example is Doncaster Races: Horses Starting for the St Leger (1831; Paul Mellon priv. col.). Following a commission from the King's Printseller, Edward Orme, for an inn signboard showing a coach and horses, Pollard began to specialize in coaching scenes. Related Paintings of Pollard, James :. | A Street Scene with Two Omnibuses | Springing Them up to meet the Train and Just in time for the Coach to Hull | The Last Mail Leaving Newcastle, July 5, 1847 | Hatchetts- The White Horse Cellar, Piccadilly | The Royal Mail Coaches for the North Ieaving the Angel Islington | Related Artists: Giulio RosatiItalian Painter, 1858-1917 Edwin Howland Blashfieldmural painter and mosaic designer.
American ,1848-1936
American painter. He began to study art seriously in 1867 in Paris under L?on Bonnat, with whom he remained (except between 1870 and 1874) until 1880. Blashfield's mural style was significantly influenced by Pierre Puvis de Chavannes, Jean-Paul Laurens and Paul Baudry, whose decorations he had studied in the Panth?on while in Paris. He made a trip in 1887 to England, where he became briefly associated with the Anglo-American artists' colony in Broadway, Glos, which included Edwin Austin Abbey, John Singer Sargent, Lawrence Alma-Tadema and Frederic Leighton. CHANGENET, Jeanb.1486-d.1493
|
|
|
|
|
|
|
|